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<channel>
	<title>Sukayna Powell</title>
	<link>https://sukaynapowell.com</link>
	<description>Sukayna Powell</description>
	<pubDate>Sun, 09 Aug 2020 10:04:02 +0000</pubDate>
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		<title>Nav</title>
				
		<link>https://sukaynapowell.com/Nav</link>

		<pubDate>Sun, 09 Aug 2020 10:04:02 +0000</pubDate>

		<dc:creator>Sukayna Powell</dc:creator>

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&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 

︎Making a Masterpiece: How Art Tackles True Crime &#60;img width="750" height="1000" width_o="750" height_o="1000" data-src="https://freight.cargo.site/t/original/i/d97e7858a59d5bee208aaf86b85f1c8edd528bb107b3e65cb677bd2d9b230b42/TM_ISSUE01_MAGAZINE_02-1.jpeg" data-mid="160714025" border="0"  src="https://freight.cargo.site/w/750/i/d97e7858a59d5bee208aaf86b85f1c8edd528bb107b3e65cb677bd2d9b230b42/TM_ISSUE01_MAGAZINE_02-1.jpeg" /&#62;

︎The Mushroom - Issue 1 &#60;img width="750" height="1000" width_o="750" height_o="1000" data-src="https://freight.cargo.site/t/original/i/d97e7858a59d5bee208aaf86b85f1c8edd528bb107b3e65cb677bd2d9b230b42/TM_ISSUE01_MAGAZINE_02-1.jpeg" data-mid="160714025" border="0"  src="https://freight.cargo.site/w/750/i/d97e7858a59d5bee208aaf86b85f1c8edd528bb107b3e65cb677bd2d9b230b42/TM_ISSUE01_MAGAZINE_02-1.jpeg" /&#62;

︎Source of Stress or Self-Care Serenity? The Bathtub in Visual Culture&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="4252" height="5634" width_o="4252" height_o="5634" data-src="https://freight.cargo.site/t/original/i/cd31431e0b3e60a27340c586ad5d458b172bdece870a094fcdbf12068c272943/10.-Bath.jpg" data-mid="79447275" border="0"  src="https://freight.cargo.site/w/1000/i/cd31431e0b3e60a27340c586ad5d458b172bdece870a094fcdbf12068c272943/10.-Bath.jpg" /&#62;

︎We Asked Mushroom Experts to Debunk the Art World’s Obsession with Fungal Forms&#60;img width="967" height="1200" width_o="967" height_o="1200" data-src="https://freight.cargo.site/t/original/i/542f0adcfd42dfc850b98bd0f4696027f3348ff7d24c86bdbfb609cf3f164aca/untitled-mushroom-c-Seana-Gavin-967x1200.jpg" data-mid="79447343" border="0"  src="https://freight.cargo.site/w/967/i/542f0adcfd42dfc850b98bd0f4696027f3348ff7d24c86bdbfb609cf3f164aca/untitled-mushroom-c-Seana-Gavin-967x1200.jpg" /&#62;

︎Agnes Denes’ Wheatfield Helped Me to Reconcile Art and Environmentalism&#60;img width="2000" height="1348" width_o="2000" height_o="1348" data-src="https://freight.cargo.site/t/original/i/430eea3db1d6f6752d47738939aed2031988c04fdd637eef962822c001885952/AD_AgnesField_HR.jpg" data-mid="79447276" border="0"  src="https://freight.cargo.site/w/1000/i/430eea3db1d6f6752d47738939aed2031988c04fdd637eef962822c001885952/AD_AgnesField_HR.jpg" /&#62;



︎The Oscars Doesn’t Understand Cinema, and Jenny Holzer Upsets Sheep&#60;img width="1000" height="563" width_o="1000" height_o="563" data-src="https://freight.cargo.site/t/original/i/6c8ce1c6b303e28ccacde16f99078555004ae843a4b37972c4d9e47d9292268e/1.jpg" data-mid="79709698" border="0"  src="https://freight.cargo.site/w/1000/i/6c8ce1c6b303e28ccacde16f99078555004ae843a4b37972c4d9e47d9292268e/1.jpg" /&#62;

︎An Egg Is for Art, Not Just for Easter&#60;img width="1440" height="1920" width_o="1440" height_o="1920" data-src="https://freight.cargo.site/t/original/i/662956b85043a7b7890497699ad450a29c673d64fb82d4f561b5740fd1d2cf18/2.jpg" data-mid="79709878" border="0"  src="https://freight.cargo.site/w/1000/i/662956b85043a7b7890497699ad450a29c673d64fb82d4f561b5740fd1d2cf18/2.jpg" /&#62;

︎Environmentally Aware Artists Are Turning their Gaze on the Art World&#60;img width="1618" height="762" width_o="1618" height_o="762" data-src="https://freight.cargo.site/t/original/i/6b89dccb827d78a11e203cb50b42423802429083b2cf2517718cd095ceeca664/3.jpg" data-mid="79710071" border="0"  src="https://freight.cargo.site/w/1000/i/6b89dccb827d78a11e203cb50b42423802429083b2cf2517718cd095ceeca664/3.jpg" /&#62;

︎The Sensual Plant: How Ecosexuality Found Fertile Ground in the Art World&#60;img width="1200" height="902" width_o="1200" height_o="902" data-src="https://freight.cargo.site/t/original/i/4cee53592a1caf7758611cfbefb25131859138e581bcbea26cab0e12567f5968/4.jpg" data-mid="79710269" border="0"  src="https://freight.cargo.site/w/1000/i/4cee53592a1caf7758611cfbefb25131859138e581bcbea26cab0e12567f5968/4.jpg" /&#62;

︎The Mushroom - Issue 2 &#60;img width="750" height="1000" width_o="750" height_o="1000" data-src="https://freight.cargo.site/t/original/i/94748aff8fcf9cb2660b1476836d9b317ab80b0aed015582f39821a64ce251a6/IMG_20210608_122111418_HDR.jpeg" data-mid="160714026" border="0"  src="https://freight.cargo.site/w/750/i/94748aff8fcf9cb2660b1476836d9b317ab80b0aed015582f39821a64ce251a6/IMG_20210608_122111418_HDR.jpeg" /&#62;

︎Bathing Nervous Limbs: Exhibtion Essay&#60;img width="1064" height="1064" width_o="1064" height_o="1064" data-src="https://freight.cargo.site/t/original/i/59e0943dcfb264f3e77b90e4f1a98622cbf54506e778633236e1cba2f9a09168/Balneum-Book-Arusha-Gallery.png" data-mid="159833906" border="0"  src="https://freight.cargo.site/w/1000/i/59e0943dcfb264f3e77b90e4f1a98622cbf54506e778633236e1cba2f9a09168/Balneum-Book-Arusha-Gallery.png" /&#62;

︎Pulp Fiction: The Endurance of the Perfect Pop Aesthetic&#60;img width="3000" height="1472" width_o="3000" height_o="1472" data-src="https://freight.cargo.site/t/original/i/17f7828b9544a40ba42c558fe8e94f7fcc4566627416f660cde3284223a6f70b/5.jpeg" data-mid="79710747" border="0"  src="https://freight.cargo.site/w/1000/i/17f7828b9544a40ba42c558fe8e94f7fcc4566627416f660cde3284223a6f70b/5.jpeg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; ︎Fillers, Filters, and Facials: Can Art Hold up a Mirror to Cosmetic Surgery Culture?&#60;img width="1262" height="850" width_o="1262" height_o="850" data-src="https://freight.cargo.site/t/original/i/daa8f8f156e315c481655f708a4aa7708120f16e85fb88cd921f3c5a21a885c4/6.jpg" data-mid="79710857" border="0"  src="https://freight.cargo.site/w/1000/i/daa8f8f156e315c481655f708a4aa7708120f16e85fb88cd921f3c5a21a885c4/6.jpg" /&#62;

︎The Mushroom - Issue 3 &#60;img width="750" height="563" width_o="750" height_o="563" data-src="https://freight.cargo.site/t/original/i/f777745085c32bb51f0a9809a77e7889be5102388a96cc3ae4b6e2624dc2b8b4/IMG-1172.jpeg" data-mid="160714027" border="0"  src="https://freight.cargo.site/w/750/i/f777745085c32bb51f0a9809a77e7889be5102388a96cc3ae4b6e2624dc2b8b4/IMG-1172.jpeg" /&#62;

︎Read All About It: The Crumple-able Appeal of Artists’ Newspapers&#60;img width="842" height="842" width_o="842" height_o="842" data-src="https://freight.cargo.site/t/original/i/87ec005d2a27f26814f307ad6456b68f292b4b90e6fd5f2f2ae84016c0d6534d/7.jpg" data-mid="79710912" border="0"  src="https://freight.cargo.site/w/842/i/87ec005d2a27f26814f307ad6456b68f292b4b90e6fd5f2f2ae84016c0d6534d/7.jpg" /&#62;

︎The Indigenous Colombian Elder Painting Ancestral Knowledge From Memory&#60;img width="1200" height="836" width_o="1200" height_o="836" data-src="https://freight.cargo.site/t/original/i/9bed3c4487cef42b8b91425bee3a7ef6eae7d8b815b79099f26b0784d1398476/Abel_Rodriguez__Terraza_Firme_III_20191-1-1200x836.jpg" data-mid="79711173" border="0"  src="https://freight.cargo.site/w/1000/i/9bed3c4487cef42b8b91425bee3a7ef6eae7d8b815b79099f26b0784d1398476/Abel_Rodriguez__Terraza_Firme_III_20191-1-1200x836.jpg" /&#62;

︎Art Meets Commerce: Should Billboard Art be a Thing?&#60;img width="5472" height="3078" width_o="5472" height_o="3078" data-src="https://freight.cargo.site/t/original/i/e7f8d97624038cec7e1a8df5296aae9d6935eca3cc9e26fa2aae5982959c7110/9.jpg" data-mid="79711322" border="0"  src="https://freight.cargo.site/w/1000/i/e7f8d97624038cec7e1a8df5296aae9d6935eca3cc9e26fa2aae5982959c7110/9.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; ︎Cinematic Stills Convey Our Inner Thoughts and Feelings Like Nothing Else&#60;img width="1200" height="675" width_o="1200" height_o="675" data-src="https://freight.cargo.site/t/original/i/2fa365ada96c561ba2a1a1a547102c1234fcacc0dce1e6815ae926876614f315/11.jpeg" data-mid="79711549" border="0"  src="https://freight.cargo.site/w/1000/i/2fa365ada96c561ba2a1a1a547102c1234fcacc0dce1e6815ae926876614f315/11.jpeg" /&#62;︎A New Cookbook Personalises Big Data by Dishing Up Conspiracies&#60;img width="1920" height="1340" width_o="1920" height_o="1340" data-src="https://freight.cargo.site/t/original/i/73034ffe965d8e534631702672a7aa4fc21b8b7d613c7d5c09b9f56b17e9e39c/2.jpg" data-mid="92119966" border="0"  src="https://freight.cargo.site/w/1000/i/73034ffe965d8e534631702672a7aa4fc21b8b7d613c7d5c09b9f56b17e9e39c/2.jpg" /&#62;

︎For John Cage, Mushrooming Was a Life-Affirming Act
&#60;img width="1728" height="2560" width_o="1728" height_o="2560" data-src="https://freight.cargo.site/t/original/i/c8c338552b01c7d09d118650583b13a3853c17381d22460c45f61b3a0201bba0/12.jpg" data-mid="79711831" border="0"  src="https://freight.cargo.site/w/1000/i/c8c338552b01c7d09d118650583b13a3853c17381d22460c45f61b3a0201bba0/12.jpg" /&#62;

︎The Mushroom - Issue 4 &#60;img width="750" height="563" width_o="750" height_o="563" data-src="https://freight.cargo.site/t/original/i/8c855df3a3982bbc0557aff4c25b7debbd2587c8ce1efef3b15687c84ec5dd71/unnamed-1.jpeg" data-mid="160714028" border="0"  src="https://freight.cargo.site/w/750/i/8c855df3a3982bbc0557aff4c25b7debbd2587c8ce1efef3b15687c84ec5dd71/unnamed-1.jpeg" /&#62;

︎Is Eco Art Lazily Barking Up the Wrong Tree?&#60;img width="2000" height="1228" width_o="2000" height_o="1228" data-src="https://freight.cargo.site/t/original/i/3118b6152eb17d97e80675ba5f42ae5cb2f0e46cfd8fb9f3fe31a1a05c00105f/Forest-for-Change-The-GlobalGoalsPavilion_creditEdReeve7.jpeg" data-mid="120548203" border="0"  src="https://freight.cargo.site/w/1000/i/3118b6152eb17d97e80675ba5f42ae5cb2f0e46cfd8fb9f3fe31a1a05c00105f/Forest-for-Change-The-GlobalGoalsPavilion_creditEdReeve7.jpeg" /&#62;

︎Myctoa - Exhibition&#60;img width="4272" height="2848" width_o="4272" height_o="2848" data-src="https://freight.cargo.site/t/original/i/0db7b96bd4a4726bfe90f4ce58b35e596307544a5f02b2f26b5ca7c93ade22b6/IMG_1625.JPG" data-mid="159831760" border="0"  src="https://freight.cargo.site/w/1000/i/0db7b96bd4a4726bfe90f4ce58b35e596307544a5f02b2f26b5ca7c93ade22b6/IMG_1625.JPG" /&#62;</description>
		
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	<item>
		<title>ABOUT</title>
				
		<link>https://sukaynapowell.com/ABOUT</link>

		<pubDate>Sat, 08 Aug 2020 16:50:26 +0000</pubDate>

		<dc:creator>Sukayna Powell</dc:creator>

		<guid isPermaLink="true">https://sukaynapowell.com/ABOUT</guid>

		<description>

	CV &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
	Education
	
	Bio

	June 2021 - Present &#124; Arts Emergency&#38;nbsp;&#124; Communications Officer &#124; LondonJanuary 2020 - Present &#124; The Mushroom &#124; Commisioning Editor &#124; London


February 2019 - Present &#124; Freelance Arts Writer &#124; London


March 2019 - December 2020 &#124; The Koppel Project and TKP Campus &#124; Programme &#38;amp; Communications Manager &#124; London



February 2019 &#124; Elephant Magazine &#124; Editorial Intern &#124; London

August 2018 &#124; Edinburgh Art Festival &#124; Volunteer Gallery Attendant &#124; Edinburgh

September 2017 – June 2018 &#124; History of Art at St Andrews &#124; Staff Writer &#124; St Andrews, Fife

September 2016 – May 2017 &#124; Charles Zerner, Barbara B. and Bertram J. Cohn Professor of Environmental Studies &#124; Research Assistant &#124; Sarah Lawrence College, NY

January 2016 – September 2016 &#124; The Estate of Eugene Prakapas &#124; Archivist &#124; Bronxville, NY

June 2016 – August 2016 &#124; Towner Gallery &#124; Volunteer Gallery Attendant &#124; Eastbourne, East Sussex

January – August 2015 &#124; Berlin Walls – Affordable Art Events &#124; Gallery Assistant &#124; Henley, Oxfordshire

January 2012 – September 2016 &#124; Pure Health Ltd. &#124; Assistant to Director &#124; Newhaven, East Sussex


	September 2017 – December 2018 &#124; University of St Andrews, Fife &#124; Master of Letters with Distinction in Intellectual History

September 2013 – May 2017 &#124; Sarah Lawrence College, NY &#124; Bachelor of Liberal Arts (Concentration: Art History &#38;amp; Environmental Science) &#124; GPA: 3.99


Publications &#38;amp; Affiliations

MLitt Dissertation: A Tale of Two Paradigms: The Role of Apocalyptic Anxiety in the Designation of ‘Golden Ages’ in the Historical Record (Submitted 2018)


	
	Sukayna Powell is a writer, editor, ideas-wrangler-for-hire, and mushroom evangelist currently based in East London. She writes about art, death, fungi, the environment, visual culture, and the apocalypse, and in her ‘spare time’ works on arts education for all, communications consultation for artists, makers, and charities, and tries to remember to eat.
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		<title>CONTACT</title>
				
		<link>https://sukaynapowell.com/CONTACT</link>

		<pubDate>Sat, 08 Aug 2020 16:51:12 +0000</pubDate>

		<dc:creator>Sukayna Powell</dc:creator>

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		<description>
	For all communications, please contact ︎︎︎ sukaynapowell@gmail.com

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